Persons under the age of 18 must apply to the Event Directors for entry and/or participation at Ignite QMJC, requiring written consent from a parent or guardian and maintained supervision while inside the venue.
Dancers are expected to behave in a kind, courteous and respectful manner. This includes interactions with fellow competitors, volunteers, judges, and spectators — both on and off the dance floor.
Competitors found to be behaving inappropriately, offensively, or under the influence of alcohol or other substances, may be disqualified and/or removed from the event. The Event Directors reserve the right to make these decisions at their discretion, and their judgment is final.
Across all categories, competitors are expected to dance with each partner they have entered with, or rotate to in DWAS (or DWAS-style categories). If a competitor has any reasonable concern, they are encouraged to approach the Event Directors early, though adjustments can not be guaranteed.
The closing date for all categories is Friday 14th August 2026. Payment must be finalised by the closing date to confirm registration – entries without a complete payment will not be held. As entries for some categories may be capped, early registration and payment are advised.
To be fair to competitors preparing choreography, and to determine whether these choreographed categories will be able to go ahead as competitive events, all entries into these categories (i.e. Teams and Showcases) must be submitted by Saturday 1 August 2026.
Teams and Showcase categories will only run as competitive events, where at least five entries are received; however, if the category is deemed to be non-competitive, these dancers MAY be offered an opportunity to perform their routines as non-judged performance pieces.
Registrations cancelled after the closing date of Friday 14th August 2026 are non-refundable - except for in extenuating circumstances, at the Event Director's discretion.
For dancers competing in both roles at the same event, the only practical limitation is that a dancer who wishes to both lead and follow within the same category, must do so at two different levels, as competitors cannot compete against — or with — themselves. Applicable to DWAS and Freestyle only.
This category is run to the specifications of the AMJR Framework. See the links below for rules relating to AMJR-Certified DWAS events.
Over 50s is an additional subcategory. Eligible dancers may enter this category in addition to their respective open-age level, as long as they are not eligible to compete any higher than the Inter-Plus DWAS level.
| Eligibility | Dancers aged 50 and over are eligible to compete in this category, in addition to their open-age level. |
| Exclusions | Dancers currently eligible to compete at the Advanced DWAS level (or higher) are not eligible for this category. |
| Non-Point Earning | This category is for participation and placement only; it does not attract points. |
| Future Eligibility | There is no progression beyond this level. Competitors who place may continue to enter this category in future events, provided they are not eligible to compete any higher than the Inter-Plus DWAS level. |
| Contest | Heats | Final | Aerials |
|---|---|---|---|
| Beginner DWAS | All-Skate · 2x songs | All-Skate · 2x songs | None |
| Intermediate <2yrs DWAS | All-Skate · 2x songs | All-Skate · 2x songs | Baby only |
| Intermediate Plus DWAS | All-Skate · 2x songs | All-Skate · 2x songs | Baby only |
| Advanced DWAS | All-Skate · 2x songs | All-Skate · 2x songs | Baby only |
| Champions DWAS | All-Skate · 2x songs | Individual Spotlight 2x + All-Skate 1x | Baby + 2 Full/round |
| Over 50s DWAS | All-Skate · 2x songs | All-Skate · 2x songs | Baby only |
→ Please refer to Appendix 2: Aerials for complete aerial rules.
This category is run to the specifications of the AMJR Framework. See the links below for rules relating to AMJR-Certified Freestyle events.
This is an additional subcategory. Eligible dancers may enter this category in addition to their respective open-age level, as long as they are not eligible to compete any higher than the Inter-Plus Freestyle level.
| Eligibility | Dancers aged 50 and over are eligible to compete in this category, in addition to their open-age level; however, they must do so with different Freestyle partners. |
| Exclusions | Dancers currently eligible to compete at the Advanced Freestyle level (or higher) are not eligible for this category. |
| Non-Point Earning | This category is for participation and placement only; it does not attract points. |
| Future Eligibility | There is no progression beyond this level. Competitors who place may continue to enter this category in future events, provided they are not eligible to compete any higher than the Inter-Plus Freestyle level. |
| Contest | Heats | Final | Aerials |
|---|---|---|---|
| Beginner Freestyle | All-Skate · 2x songs | All-Skate · 3x songs | Baby only |
| Intermediate <2yrs Freestyle | All-Skate · 2x songs | All-Skate · 3x songs | Baby only |
| Intermediate Plus Freestyle | All-Skate · 2x songs | All-Skate · 3x songs | Baby + 2 Full/round |
| Advanced Freestyle | All-Skate · 2x songs | All-Skate 2x + Rapid Fire 64 counts | Baby + 2 Full/round |
| Champions Freestyle | All-Skate · 2x songs | Individual Spotlight 2x + All-Skate 1x | Baby + 2 Full/round |
| Over 50s Freestyle | All-Skate · 2x songs | All-Skate · 2x songs | Baby + 2 Full/round |
→ Please refer to Appendix 2: Aerials for complete aerial rules.
Each year, we try to change things up a little - this year is no different!
Lucky Blinds is a new category to Ignite QMJC, and is an amalgamation of two of our biggest categories in the past; Lucky Dip and Partners Blind. In this new category, partners will be allocated to each other prior to each round, giving them a chance to meet and briefly get to know each other's dancing.
For a different spin on things (pun intended), partnerships will be reassigned at every round. This means: a set partner for the heats, a new partner for the semis, and a new partner for the final - for those Lucky enough to make it through!
This is a fun/social category. There is no progression associated with this category - however, in assigning partnerships, the Event Directors will do their best to match partners based on their respective DWAS levels, with the intention of assigning higher-level partners to lower-level competitors.
Run as an All-Skate over two songs, in both the heats and the final. No aerials are permitted. For the first song, all Followers are blindfolded – for the second song, all Leaders are blindfolded.
| Blindfolds | Competitors are responsible for bringing their own blindfolds. For hygiene purposes, sharing or borrowing blindfolds from the Event Organisers will not be an option. |
| Spatial Awareness | Blindfolded dancers must remain sensitive to their partner's lead/follow, in order to stay within their designated dance space. |
| Aerials | Full Aerials and Baby Aerials are not allowed. |
All Showcase entries must be submitted by 1st August 2026. Please refer to Competition Music for guidelines. Please refer to Appendix 3: Modern Jive Content & Appendix 4: Routine Disqualification for Modern Jive Content requirements and Disqualification guidelines.
| The Am | • Ams must have been learning Modern Jive for a period of less than 2 years. • Ams may enter either the Pro-Am Showcase OR the Showcase (Open) category. Ams are limited to one entry within this category. |
| The Pro | • Pros must be an Advanced-level (or higher) DWAS or Freestyle competitor, or a genuine Modern Jive teacher to their student. • Pros may enter both the Pro-Am AND Open Showcase categories, with multiple entries in each, provided each entry is with a different partner. |
| Music | Pro-Am Showcase tracks must be within the 1-1.5 minute marks. This time limit refers to the duration of the music track, not including any bow or reprise. |
| Roles | • When possible, Am Leaders and Am Followers will be judged separately, as each role generally requires vastly different skill competencies. • Ams are to choose one of these roles and are required to maintain this role for the duration of the routine. |
| Choreography | Each routine must be built from scratch for the Pro-Am Showcase and reflect a genuine mentoring relationship. Repurposing or reworking an existing Showcase or Team routine is not allowed, nor is entering a routine entirely choreographed by someone outside the partnership. Exceptions can be requested from the Event Directors. |
| Minimum Entries | A minimum of 5 total entries is required for this category to proceed. If either of these contests receives fewer than 5 entries, they may be combined at the Event Director's discretion. |
| Costs | Where the Pro is a teacher or seasoned choreographer, students should expect that private-lesson rates may apply to some, or all, of the time spent choreographing and/or learning together, at the teacher's usual rates - this may also include venue hire. Students are encouraged to discuss this with their teacher prior to starting any choreography. |
Open Showcase entries must be submitted before August 1st, to confirm competitive viability. If this category does not meet the minimum entry criteria, couples MAY be offered an opportunity to showcase their piece as a non-judged performance.
| Experience Level | Both dancers should be competing at this event at the Intermediate Plus level, in DWAS AND Freestyle, at a minimum. Exceptions may be made at the Event Directors' discretion for competitors eligible for lower levels, provided they are not also entering a Pro-Am Showcase. |
| Multiple Entries | Dancers may submit multiple entries in this category, provided each entry is with a different partner. |
| Format | A set piece of Modern Jive choreography to music of your choice. Performed as an Individual Spotlight. |
| Music | Open Showcase tracks must be a minimum length of 2.5 minutes, and a maximum of 4 minutes. This time limit refers to the duration of the music track, not including any bow or reprise. |
| Minimum Entries | A minimum of 5 entries is required for this category to proceed. If this category does not meet the minimum entry criteria, dancers MAY be offered an opportunity to showcase their piece, as a non-judged performance. |
| Size | A minimum of three (3) couples is required to enter this category - there is no official maximum. Teams of all sizes take their own responsibility for safely fitting within the size of the dance floor area. |
| Partnerships | This category is for couples-based choreography. Triples and Steals entries are prohibited as a full routine, but may be used as a performative component. |
| Minimum Entries | A minimum of five (5) teams are required for this category to proceed as a competitive event. Where less than 5 entries are received, this category MAY go ahead as a competitive category, but only 1st place will be awarded. |
| Music | Team Routine tracks must be a minimum length of 2.5 minutes, and a maximum of 4 minutes. This time limit refers to the duration of the music track, not including any bow or reprise. |
The winning team of this category will have their team name added to the Ignite QMJC Perpetual Team Trophy. Individual trophies are not awarded for this category.
Any music provided by competitors for Showcase, Teams or Champions categories, must fit within these same parameters.
For any questions, queries, concerns, comments or conundrums, please contact the Event Directors ahead of the event date, at igniteqmjc@gmail.com.
Time to burn the floor! Happy dancing! 🔥
| Term | Meaning |
|---|---|
| Competition / Event | Referring to a competitive event, as a whole. Often used interchangeably with 'Event'. |
| Role | Referring to a Leader or a Follower; the two Roles within our dance style. |
| Category | Referring to the type of Contest being held (e.g. 'Freestyle', 'DWAS', 'Lucky Blinds'). |
| Level | Referring to a dancer's competitive level (e.g. 'Beginner' or 'Advanced'). |
| Contest | Referring to the combination of Level/Category (e.g. 'Beginner Freestyle' or 'Advanced DWAS'). |
| All-Skate | A round (heat, semi-final or final) danced with several competing couples on the floor together. |
| Rapid Fire | A single unbroken track during which couples enter and leave the floor, one at a time, on the emcee's call. |
| Spotlight | A single couple, holding the floor for the length of the track(s). |
| DWAS | Dance With A Stranger. A format where competitors dance with multiple randomly-assigned partners, judged individually on their partnering skills. |
| Aerial / Baby Aerial | Refer to Appendix 2: Aerials for definitions and allowances. |
| Term | Definition |
|---|---|
| Baby Aerial | One partner has both feet come off the floor, while the majority of their weight is being supported BELOW the other partner's chest height. |
| Aerial | One partner has both feet come off the floor, while the majority of their weight is being supported ABOVE the other partner's chest height. |
In categories where aerials are allowed, they must be performed cleanly and safely, with appropriate timing and musical interpretation. The number of full aerials allowed per round (heat/semi/final) is capped, so that Modern Jive fundamentals remain more of a focal-point than big tricks.
At all times, the safety of our dancers is the highest priority. While baby aerials are allowed in most DWAS levels, there is an expectation that both partners are on board before the move takes off – dancers seen to be putting their partners (or other competitors) at risk will be penalised.
| Category | Baby Aerials | Full Aerials |
|---|---|---|
| Beginner DWAS | No | No |
| Intermediate <2yrs DWAS | Yes | No |
| Intermediate Plus DWAS | Yes | No |
| Over 50s DWAS | Yes | No |
| Advanced DWAS | Yes | No |
| Champions DWAS | Yes | 2x per round |
| Category | Baby Aerials | Full Aerials |
|---|---|---|
| Beginner Freestyle | Yes | No |
| Intermediate <2yrs Freestyle | Yes | No |
| Over 50s Freestyle | Yes | 2x per round |
| Intermediate Plus Freestyle | Yes | 2x per round |
| Advanced Freestyle | Yes | 2x per round |
| Champions Freestyle | Yes | 2x per round |
| Category | Baby Aerials | Full Aerials |
|---|---|---|
| Lucky Blinds | No | No |
| Mentor / Pro-Am Showcase | Yes | Yes |
| Showcase (Open) | Yes | Yes |
| Teams | Yes | Yes |
Modern Jive is an inherently adaptable dance style that combines elements and techniques from countless other dance styles, both partnered and solo. As a baseline however, Modern Jive can usually be defined by a few core fundamentals:
| Connection | The physical "compression" and "resistance" that we create with our partners to communicate our intentions within the dance. |
| Concertina | A term that Modern Jive uses to articulate the accordion-like movement that we use in our dance style. Concertina generally refers to the Leader and Follower moving toward each other, and away from each other, in unison. |
| Timing | Modern Jive recognises two types of beats; 'upbeats' and 'downbeats'. Upbeats are usually identified by the 'AND' count of a Modern Jive count (AND 1, AND 2, AND 3, AND 4), or an 'even' number in a straight count (1, 2, 3, 4, 5, 6, 7, 8), while downbeats are the opposite. Footwork: Generally, a Leader takes their first step with their right foot, on the upbeat, and their left foot on the downbeat. Followers are the opposite. Frame: Dancing on the opposite foot may not always break the dance — what matters most is that a dancer's FRAME is in the right place, at the right time, providing the right connection. Momentum: Traditionally, 'directional leads' should be present on the upbeats, while the 'positions' of a move are demonstrated on the downbeats. Exceptions may apply. |
While we have the capacity to incorporate technique from other dance styles, for the purposes of competition, we suggest you do so sparingly. If these 'borrowed' techniques are used too frequently and cause your dancing to look like a different dance style (i.e. not recognisably Modern Jive), this would be subject to review by the Head Judge and/or the Event Directors.
Ideally, any borrowed technique should not 'overpower' our Modern Jive fundamentals.
Some elements that are not fundamentally Modern Jive, but are encouraged for the purpose of enhancing your Modern Jive dancing, include: Breakaway, Aerials, Syncopated Timing, Footwork and Directional Leads, Influencing or Co-piloting, among more. For more information, book a private class with one of our guest teachers ;)
Modern Jive is traditionally danced to music with a 4/4 time signature; however, there is no hard rule that enforces this at Ignite QMJC. Competitors are welcome to submit music outside of this time signature for routine performances, provided that they use appropriate techniques to maintain a two-step rhythm.
For example, in a song with a 6/8 time signature, competitors would be expected to utilise "third-timing", where dancers are stepping on every third beat, similar to the way that we "half-time" some faster music. Note that this often muddies the waters and makes it more difficult to identify Modern Jive fundamentals, which MAY impact the judge's scoring.
Where a judge interprets that Modern Jive fundamentals are missing from the majority of a dance (in any category), that judge simply marks the entrant below the other competitors.
Judges are asked to flag this with the Head Judge when this drove their score; if two judges individually flag the same concern, a review is triggered, and the Head Judge and/or Event Directors are to decide on appropriate action - the steepest penalty being a drop to an off-podium placing, or a placing that does not receive points in a Tiered category.
If two judges have flagged a lack of Modern Jive content, the Head Judge and/or Event Directors will inform the affected competitors after the event weekend; however, the judge's names and scores will remain anonymous.
Dancing that leans heavily on the following may not score as highly as those demonstrating a higher quota of Modern Jive dancing:
The only criteria that we impose on our judges, is the presence of Modern Jive Fundamentals and Critical Timing.
Timing sits near the top of the judging criteria at this competition, only second to Safe Connection. While dancers are competing, for the majority of their time on the floor, each dancer should be demonstrating correct critical timing, as per the Modern Jive Fundamentals.
Our panel of judges are selected based on a number of factors, including: Experience, Expertise, Competitive Level, Active Status, and Technical Articulation, along with Community Involvement, Reputation, Geographical Representation, and Prior Attendance.
Ultimately, while we value the alignment of a judge's criteria to that of the QMJC, we trust our judging panel to make judicial decisions based on their own criteria, as priorities may vary between schools. This is an opportunity to reward and promote those priorities on an international scale - otherwise, geographical representation becomes a moot point.
It's worth competitors keeping in mind that, in the few minutes a judge has to watch the whole floor, they may happen to catch a brilliant moment, or a weaker one, or neither. Judges also bring their own tastes and opinions, so it's entirely normal for six judges to advance a couple while a seventh doesn't — or, in a Final, for one judge to place a couple 1st and another to place the same couple 6th.
We ask competitors to expect and respect this, and to treat their scores as a broad read on how they ranked across the competition, rather than a precise verdict. If the numbers fall short of what you hoped, try not to take it personally — remember that any result only reflects how you danced on the day, and only relative to the rest of the floor.
Many of our event staff are volunteers who also have the opportunity to dance in the competition. In cases where a member of the scoring team is in the competition, a procedure is in place to ensure integrity of their own scores and any scores of a spouse or other close contact.
Please bear in mind that judging is a demanding role on the day, so our judges may not be free to engage with you, the way they otherwise would. With that in mind: